The past 12 months have left me with little time to work on my Foundations In Photography and I am at risk of being withdrawn. I’d love to continue, but it seems to be a good time to reflect on what I have learned and how I feel I have developed as a photographer. My first love in photography was always landscape. Even with competing … Continue reading Tempus Fugit
There has been a Lord Mayor Of London – the City Of London – since 1189. This year marks the 691st Lord Mayor, whose inauguration involves a parade from the City to the Royal Courts Of Justice via St Paul’s. My wife is involved in the running of an initiative which aims to help young people develop the skills they need for the 21st century … Continue reading The Lord Mayor’s Show
As some of you who have come to know I have developed a mild obsession with street photography. On the weekend just past, I was given an informal commission to photograph a specific float in the Lord Mayor Of London’s Show – more on that in another post – that meant spending several hours in a relatively small area of London. The day was mainly … Continue reading A First
In this exercise we are asked to make 3 full length portraits at night, with the suggestion we use high ISO, long exposures and flash. As it turned out, an opportunity presented itself to work with a model, Helen, in an industrial ruin location on a very dark, heavily overcast late afternoon in October. In the three full-length shots presented below I have used three … Continue reading 2.9 A Night Portrait
I have never before placed text and photographs together, nor taken photographs based on inspiration from text. I generally don’t even like giving a photograph a title as I’d rather the image speaks for itself and it is up to the viewers to interpret it. I did however enjoy English Literature at school, and when I have not got my face buried in a camera … Continue reading 3.5 Photographs From Text
Back when my photography was almost entirely landscapes, I was always conscious of trying to compose in a way which provided the viewer with a sense of depth and scale by using layers. More recently I’ve been much less concerned with them, looking instead for that elusive ‘decisive moment’. Where there are layers lending depth, it’s by chance rather than planning. This exercise has therefore … Continue reading 2.3 Depth: Foreground, mid-Ground, Background
A few weeks ago, in a state where I was possibly affected by the sun, beer or perhaps both, I set myself a challenge for our upcoming holiday – “This year I’m going to photograph the Broads in the style of Martin Parr. Then I’m going to select, whittle down, edit, arrange and present this trip.” I’ve been struggling to complete 2.2 with a combination … Continue reading 2.2 People & Activity
This one has been a challenge. I’ve looked through the work of Roman Signer, and that of Andy Goldsworthy, and there is so much to love about their art. Signer’s slow burning fuse is fascinating, and Goldsworthy’s land art is truly wonderful. But. I’m looking at records. These are photographs ‘of’ not ‘about’. Yes, the art they depict is ‘about’, but you have to be … Continue reading Picture Analysis – Zelt, Roman Signer
In a week’s time – the 30th – we’re heading off for a week of boating around the Norfolk Broads. It’s pretty much an annual event on a floating gin palace from Richardson’s boatyard. As a result of past trips I have a lot of photographs from the Broads. A lot of landscapes, some of which I think are good. A few wildlife, one or … Continue reading Holiday Resolution
Let’s start by getting something out in the open up front: I don’t like flash. I know it is useful in all sorts of situations, it’s an essential tool of studio and wedding photographers. Used properly and creatively it can transform muddy and mundane to glorious. Maybe it is my lack of learning practice that makes me shy away from using flash, but I genuinely … Continue reading 2.8 Fill Flash
