Sticky post
I have thousands upon thousands of photographs. Old Kodak prints, Fuji slides, XPan double-frame panoramics, uncountable digital files. Many I like, some I value, most are just ‘meh‘. So now I’ve enrolled in the OCA Photography Foundation. I’m going to learn, structure, focus and practice. No more ‘meh‘. Time to go on a journey. Continue reading First blog post
In a week’s time – the 30th – we’re heading off for a week of boating around the Norfolk Broads. It’s pretty much an annual event on a floating gin palace from Richardson’s boatyard. As a result of past trips I have a lot of photographs from the Broads. A lot of landscapes, some of which I think are good. A few wildlife, one or … Continue reading Holiday Resolution
Let’s start by getting something out in the open up front: I don’t like flash. I know it is useful in all sorts of situations, it’s an essential tool of studio and wedding photographers. Used properly and creatively it can transform muddy and mundane to glorious. Maybe it is my lack of learning practice that makes me shy away from using flash, but I genuinely … Continue reading 2.8 Fill Flash
A short time after completing the exercises on ‘Searching’ and ‘Series’, I found myself on Crosby Beach near Liverpool and the site of Anthony Gormley’s ‘Another Place’. Now I’ve always been fascinated by what washes up on beaches, so once I’d felt I’d done as much as I could with Mr Gormley’s figures I turned my camera down and brought back around 50 photographs of … Continue reading 3.2 Series – A Revisit
This exercise encourages us to just take a wander and photograph freely, then review and consider what caught our eye. This particular wander is through the French port city of La Rochelle, on a particularly hot and sunny day, though the town to a bay on the other side and back again. Below are 3 contact sheets showing the 40-odd photographs that caught my eye … Continue reading 3.1 Searching
In this exercise we are asked to produce a series of photographs focused on a specific subject. My chosen subject for this is based on two related on-going projects: plants that are growing on man-made structures and man-made structures and other artifacts being overwhelmed by nature. It’s also a test of something I constantly repeat to myself: Enjoy making the photographs you like and have … Continue reading 3.2 Series
Whilst I continue to struggle to find the time and people I need to complete Part 2, I’ve been getting ahead and planning for Parts 3 and 4 in the hope of completing them quickly and making up lost time. Browsing through Part 4 I noticed the projects involving montages. As I have been working a lot with layers in PS I decided to go … Continue reading A Little More Procrastination
In this exercise we are asked to photograph subjects against a plain, white background to remove the sense of place. Not being in the habit of shooting portraits of either people or flowers I found this to be a bit of a challenge – not in terms of the set up and technicalities of obtaining the images, but in creating something that might have some … Continue reading 2.1 Subject vs Background
This weekend I visited the Photo London 2018 fair at Somerset house and spent the best part of 4 hours wandering through room after room of every imaginable genre of photography. I saw iconic images from superstars like Ansel Adams, Terry O’Neill and Daido Moriyama. Individual photographs like Gustave Le Gray’s “Solar Effect in the Clouds – Ocean” (a snip at £55,000!) and Titarenko’s St. … Continue reading Photo London 2018
I have to admit that I have had more fun that I’d anticipated with this exercise, and in the process learned quite a lot more about layers, custom brushes and actions. I’ve created many images, some good, some less so, some little more than doodles. One thing I’ve enjoyed since the days I used slide film is creating double exposures, so that is where I … Continue reading 2.12 Pixel Painting
During my recent week of working in Geneva I was able to indulge my newly discovered passion for street photography, and in doing so got a shot I felt I could use for this split contrast exercise. One evening sat on a bench at the Promenade Du Lac, a stereotypical example of a Genevois private banker came striding by (I don’t really know he’s a … Continue reading 2.11 Split Contrast – Geneva Man
